The Bootleg Beatles

Tom Stickley pointed out to me (at the Prince of Wales on Christmas Eve) that I hadn't written anything on my blog for ages and ages and ages . . . . (he's a fan, you see).

Indeed, it seems I haven't put anything on my blog since last August when I included the sleeve to the classic single, Orville's Song, by Keith Harris and his giant green duck, Orville. This 1982 smash had been a favourite of our dad's.

So, yes, it really is about time I added something fresh to my blog before my fans abandon me in their thousands and go off in search of a blog that is updated more regularly!

Tonight then I offer you a few paragraphs about the Bootleg Beatles.

My darling wife Carol, my darling son Tom and darling son Alex, along with dear, dear, darling friends Kerri and Julie, set off just before Christmas for that dear, dear, darling little intimate venue they call the NIA. And we all had a lovely, lovely, darling time.

This is the darling review wot I wrote for the newspapers for which I work:

The Bootleg Beatles Birmingham NIA by Phil Gillam For those of us whose love of The Beatles runs deep, witnessing a Bootlegs concert - especially if the atmosphere is right - can be akin to a religious experience. And such was the case last night at the NIA. The lads have been together since 1980, formed from the West End musical, Beatlemania, and are not only technically spot-on in terms of the instrumental sound they make, but are also often breathtakingly realistic in their on-stage personas. Having said that, Bootleg Paul last night did sometimes, during his between-songs patter, sound rather more like Ken Dodd than Macca. And the vocal performances of Bootleg Ringo sounded a little odd. But these are minor points. Over all, this was another superb show from one of the longest-lived tribute acts. From I Wanna Hold Your Hand to A Hard Day's Night, from Help to Paperback Writer, from Magical Mystery Tour to Strawberry Fields, and from While My Guitar Gently Weeps to Come Together, the band told the story of the Fab Four with temendous panache. I must have seen them at least half a dozen times over the years - in venues including Whitchurch Town Hall, Shrewsbury School, Oakengates Theatre and Wolverhampton Civic Hall - and they never fail to deliver the goods. Hey look - we're talking about the week before Christmas and the music of the greatest group of them all being performed live on stage with energy, wit and style. It doesn't get much better than this. I recommend them unreservedly. A splendid time is guaranteed for all.

The recent massive sort-out of our loft offered up all sorts of treasure including this record which was a big favourite of our dad's.

He had impeccable taste.

Ringo plays Birmingham

Ringo Starr and his All Starr Band, Birmingham
Symphony Hall,
Concert review by Phil Gillam

Yes, yes, of course it was terribly ‘cabaret’ at times, but what were you expecting, for goodness sake? This is Ringo.

Now, you might say there are two types of performer in popular music: the artist (such as Bob Dylan) and the entertainer (such as Engelbert Humperdink). Ringo has never professed to be an artist, but he’s never stopped being an entertainer. And entertain is what he did supremely well last night.

“If you don’t know this next song, you’re in the wrong venue,” he told the crowd as he launched, into Yellow Submarine.

Surrounded by top-notch, if ancient, musicians – all of whom were major players in their time – Ringo, a sprightly 70 years old, gave us energetic renditions of Honey Don’t, Back Off Boogaloo, Photograph, and of course With A Little Help From My Friends.

Starr has suffered down the years at the hands of critics. But it turns out the mop-top caricatures of John the thinker, Paul the romantic, George the mystic and Ringo the clown were pretty accurate after all.

Last night he proved he was still the clown, still the master entertainer, and still, a much better drummer than many give him credit for. Ringo . . . you’re fab.

The above was the review (short and sweet) which appeared in the Express & Star. I wanted to be kind to Ringo. And I was.

If I had had the space in the newspaper to say any more about the evening, I might have said that I would have preferred a great deal more Ringo and a lot less of his All Starr Band. Yes, I realise that these musicians were all big in their day (now faded stars), but it was Ringo we the people had gone to see. He could have done so much more . . . other songs which he'd recorded with the Fabs, other songs he had recorded as a solo artist. And it would have been really nice if he'd been a little more chatty and told us a few stories along the way.

But with each of his band members having generous guest spots in a two hour show, there really wasn't much room for manoeuvre.

Shame really. I reckon Ringo could easily have put together a much more Ringo-flavoured evening for us. Oh well.

Just one further thought . . .

Back in the sixties, few within the Fab Four's circle escaped the sting of Lennon's acerbic wit and, famously, when asked if Ringo was the best drummer in the world, John replied: “He's not even the best drummer in the group”. But he was missing the point. Ringo was always so much more than the guy who kept the beat. He was the Chaplin-esque depressive in A Hard Day's Night, he was the cuddly, lovable one in Help!, and, throughout the whole adventure, a crucial part of the phenomenon. Even if Ringo was not the best drummer in The Beatles, he was the best drummerfor The Beatles.

The Mighty Quinns

I can scarcely believe it but it was way back in 1999 when I first came into contact with Tim Quinn. He'd come into the head office of the Shropshire Star in Ketley to discuss with the editor the possibility of creating a children's comic within the newspaper.

This project did eventually bear fruit, but the comic was sadly short-lived.

However, what was destined NOT to be short-lived was our friendship.

Quite by chance that day in the office, Tim and I struck up a conversation and we discovered that we shared a love of Spider-Man, Marvel Comics, Batman, DC Comics, Fireball XL5, Stingray, Thunderbirds, Captain Scarlet, Dr Who, children's books and comics generally, and pop music, especially The Beatles.

For me, it was like suddenly making a new friend at school. It would not have surprised me one bit if he'd then turned around and offered me an Opal Fruit, some black jacks or a gobstopper!

We were getting on like a house on fire (whatever that means!) . . .

Later I would meet his lovely life, Jane. She's FAB! We would become firm friends.

What happened next?

Well, to cut a very long story short, there came a point when they left their home in Belle Vue, Shrewsbury, to go and live in America where Tim found work on a children's magazine.

I honestly thought I would never see them again.

HOWEVER . . .

Within a fairly short space of time, they were back in Britain, back in Shrewsbury, and back in Belle Vue. They had hated living in America.

From a purely selfish point of view, I was delighted. I could call round for a cup of tea at the drop of a hat. Or call round for a hat at the drop of a cup of tea.

Our friendship was soon thriving again.

I'd meet Tim up town for a cup of coffee and a scone (tragically, the man does not drink alcohol. Oh well). Or I'd just pop round to their place occasionally. It was lovely. This was during their Blue Moon period. Thanks to the financial clout of one of Enid Blyton's rich daughters, Tim and Jane were now producing a children's comic (a dream come true for the Quinns). Alas, like so many of their creative projects, it was dogged by problems. It was poorly distributed and was up against the might of Fireman Sam, Thomas the Tank Engine, and (ironically enough with the Blyton connection) Noddy . . . all of them backed by highly successful television programmes.

Blue Moon was eclipsed – and eventually it was time for the Quinns to move on again.

This time they went to live with the fairies at the bottom of Julie Felix's garden (Don't ask!).

And I honestly thought I would never see them again.

HOWEVER . . .

Years rolled by. We kept in touch best we could, but it wasn't like the old days when I could pop round for a cup of tea and as many biscuits as I could eat.

Anyway, fate intervened once more. And again they returned to Shrewsbury. This time, the area of my childhood, my beloved Castlefields.

The tea and biscuits were back on.

During this period, Tim and I went to see The Searchers together. On another occasion we met Paul McCartney's brother Mike to interview the former Scaffold star. (Again, too long a story to retell here).

The Quinns got into other creative projects, some successful, some not quite so successful.

And then last year (2010) they moved again, this time to Southport.

Now, some unkind people have suggested that they keep moving to get away from me. I have dismissed this notion outright!

Nevertheless, when they moved to Southport . . .

I honestly thought I'd never see them again.

Watch this space.

Castlefields – February 2011

A walk around my beloved Castlefields in February proved most instructive.

We saw a man working in the back yard of the old All Saints Church Hall (which is where I had my 21st birthday party, by the way). We asked him if the place was being converted into a private residence as such a prospect did not seem so unreasonable. But no. It turns out it is being renovated for use as a community hall.

It warms my heart to hear it. At one stage, I had a horrible feeling it might be bulldozed.

Anyway, here's a picture of the hall, another of its sad old noticeboard, and another of the front door of 73 North Street – which we remember as being red, but is now clearly green.

Lest We Forget . . . Our Dad – Jim

Here's a nice photograph of Dad as a young soldier.

I can't help thinking he would very much approve of the forthcoming Jim Gillam Memorial Pub Crawl.

For more information on Dad, check out:

http://www.shropshirestar.com/

latest/2007/01/26/tributes-to-war-hero-jim-84/

The Funnyman

A short story by Phil Gillam

Note: During the early 1940s the famous music hall comedian George Robey, by that time in his seventies, lived at The Tower House on Wenlock Road, Shrewsbury, with his wife Blanche. This is an imagining of what it might have been like to be George at that point in his life . . .

“Ching Ching Chinaman” went down a storm yesterday at the YMCA canteen, and of course, as always, they absolutely loved “If You Were The Only Girl In The World”. But, you know, I often wonder if the act wouldn’t benefit from some fresh material. Do you know what I mean? Perhaps a modicum of this and a modicum of that?

Ah well. We’ll see.

Yesterday morning, while I was waiting for the bus across the road, I got chatting to a young mother and her little girl. I told the child she was a right bobby-dazzler and I promised her one of my signed caricatures. They always seem to go down well with the little ones. The mum told me her daughter was as good as gold most of the time, but sometimes, if the youngster felt sad, she could be quite a handful. “And why on earth would she ever feel sad?” I asked. “Well, y’know,” said the mum. “What with her daddy being away fighting Gerry and all.”

And that made me think of all the wives whose husbands were away in the war. All that terrible anguish. All that uncertainty. Day in, day out. It must be bloody awful. I thought about this on the bus, all the way into town. All those whose lives are in danger. All those left at home worrying about them. It made me feel small and stupid and insignificant. And what am I when all is said and done? Someone who makes a fool of himself for a living. Someone who mucks about on stage for a few cheap laughs. That’s what.

I’m sitting in the lounge of our home in Shrewsbury, looking out of the window, watching the birds flitting about. Our place, by the way (lovely it is) is on the Wenlock Road on the outskirts of town, and it is called The Tower House – which is appropriate since it is indeed a house which indeed has a tower. I think perhaps the architect who dreamt this one up must have had ideas above his station. It’s like a miniature castle.

Most mornings these days I take the bus into town, not because I want to get away from my wife, but simply because I need the change of scenery and I like to have a couple of drinks with my pals. So you’ll often find me in the downstairs bar of the George Hotel, keeping the barman company or passing the time of day with fellow performers or reading a newspaper to find out how we’re doing against these damned Nazis.

I try to keep myself cheerful, but sometimes . . .

Do you know? I got a standing ovation yesterday. It was just a few old songs and a few gags – nothing too risqué of course – but it seemed to go down well.

Oh, by the way, if anyone – years from now – should stumble upon these few sheets of paper, well these are the beginnings of a memoir of sorts. Whether I eventually decide to actually publish anything, well, that remains to be seen. But I’m getting on a bit now – into my seventies – and I feel the urge to write things down. I suppose I want to leave something behind. And I suppose, also, I want to try and make some sense of my life.

A friend of mine, a Mr Hammond who lives nearby and whose family run a wet fish shop in Castle Street, across the road from the Raven Hotel, advised me that if I intend to write my memoirs then I should begin by frantically scribbling down whatever comes into my head. Just write it down. Quickly. Just like I am doing now. Don’t think about it, said Mr Hammond. Just get it down on paper. There will be plenty of time to edit it later. Although why I should take advice on writing from a man who sells wet fish, I can’t imagine. But there again, I am happy to get advice from anyone who is kind enough to offer it. You know. A modicum of this and a modicum of that.

Anyway, dear reader. I shall call you dear reader because I have no way of knowing your name. Ha ha! Anyway, dear reader, it is August 1940. My name is George Robey. I’m an entertainer. My stage make-up – should you be remotely interested – is very simple, consisting as it does of ridiculously bushy eyebrows, a silly small-rimmed bowler hat and a collarless black coat. Children seem to love the bushy eyebrows in particular. I raised a few bob for the Red Cross the other day by drawing bushy eyebrows on the faces of some little piglets and getting the mums and dads to donate any loose change they might have. Yes. Silly, I know. But the lady from the Red Cross seemed pleased enough.

My wife is called Blanche. She is the sister of Prince Littler of the famous theatrical family. We both help out at the YMCA kiosk in Shrewsbury town centre on Saturday nights. The young lads and their girlfriends buy their cigarettes off us and I’ll often sign their cigarette packets for them or scribble a little something or do one of my caricatures for them. They seem to like that. Sometimes, in an evening, I’ll give a little impromptu performance for the youngsters. Slip in a couple of naughty jokes for them and their girls. They love that.

To grown-ups, thanks to the extravagant claims of my own publicity posters, I am known as the Prime Minister of Mirth. To little children, who have no need of such overly-complicated nonsense, I am simply the funnyman. I think they’ve got it about right.

This book that I’d like to write. Well, it wouldn’t just be my life story. I would want it to be more than that somehow. I’d like it to include my personal observations, my particular beliefs, my philosophy if that doesn’t sound too big-headed for a comic.

Here’s one of my beliefs for a start. It has always been my contention that when God was still in the process of putting this world together, still sifting and sorting the ingredients as it were, still coming up with perhaps the rhinoceros one day, the buttercup the next, that sort of thing, there must have been a time when his inventiveness suddenly scaled new heights. At this point, unable to keep the shackles on his supernatural genius, I reckon God just went all out for sheer loveliness. And it was surely during this most fruitful spasm of his creation, that he brought into being the breath-taking vision that is a beautiful young woman. Now, don’t you give me that Adam and Eve nonsense. God must have created womankind in one great lightning bolt of brilliance, and then he would have sat back, feeling rather pleased with himself, and thought: “I’m never going to better that!”

Here, the magical ingredients, a modicum of this and a modicum of that, came together in perfect harmony. Beauty. Youth. The Female Human Being. There is nothing else on this earth to compare.

This was brought home to me again only the other day as I was putting the world to rights with the barman at the George Hotel.

A young lady – she may have been one of the daughters of the hotel manager, I don’t know – strode purposefully through the bar. As she did so, she accidentally dropped a glove. Being a gentleman, I immediately slid from my bar stool, and stooped down to pick up the glove to offer it to her. As I rose with the glove in my hand, I was able to take in at close quarters the perfect curves of the young woman’s figure which would have needed very little in the way of corsetry to accentuate that shape, I’d wager. Her perfume was divine although it was not the perfume that was so utterly captivating. The heart-stopping loveliness of her alluring shape was matched by that of her perfect face, perfect eyes, perfect hair. If I had been struck down there and then, I would have died a happy man.

No really I would. And kindly temper your hilarity at the thought of it! Oh desist! Desist!

But no. I am serious. Should you ever doubt the existence of God, look no further than a beautiful young woman.

Of course, as she looked back at me, this lovely young thing, I knew what she was thinking. She saw before her an old man, a man old enough to be her grand-father. Which, in turn, left me thinking: How on earth did I ever get to be this old? Just a few short years ago I was still able to deliver my stage act sixteen times a day in non-stop revue, but I know I couldn’t do that now. I’m not the man I was.

Oh, but I must remain cheerful. Even if it is so very difficult to do so when one reads the news. In May, Belgium and Holland surrendered to the Nazis. In June, it was France’s turn to be humiliated, the victorious Germans parading through Paris with their swastikas flying from the Eiffel Tower and the Arc de Triomphe. If we’re not careful, it’ll be us next.

Do you know, this damned war touches upon all our lives. Not just the people who are fighting, not just their loved ones who have to worry about them, but everyone. Everything is in short supply. We all have ration cards for the purchase of butter, sugar, bacon and ham. We’ve all been given gas masks in case the Germans try to attack us with deadly chemicals. And guess what! They’ve even been digging up our beautiful park – The Quarry – in order to use it for growing vegetables. For heaven’s sake! Is nothing sacred?

But enough of this depressing talk. On a brighter note, I have made the acquaintance of some of the army officers who are staying at the Golden Cross. They’re a jolly bunch, I can tell you. They’re members of the Royal Army Pay Corps by day, but by night they are actors and comedians who link up with some of the girls from the ATS and produce little plays at the Music Hall. They call themselves the RAPCATS – get it? R.A.P.C. as in Royal Army Pay Corps and A.T.S. as in Auxiliary Territorial Service. Put it all together and you get RAPCATS. Oh, kindly temper your hilarity with a modicum of reserve! Anyway, they’re a splendid bunch to hang out with should one fancy a tipple or two.

One of those army fellows, as it happens, congratulated me on my performance yesterday. It was my first real appearance in public in the town. I shall do more. I’m sure I will. But anyway, at mid-day I spoke rather well, I think, from the National Savings Committee’s daylight cinema van in Butcher Row and declared to the crowd, with all the faith that I could muster, that we should undoubtedly win this war. It was up to every one of us, I said, to help the War Savings Campaign and to donate as much as we could so that we can give those villains hell. And I meant it. Because these Germans are villains. They’re not like the Germans we fought last time. They were just ordinary blokes fighting our ordinary blokes. But this time they’re wicked, invading other countries with unspeakable brutality, killing women and children and anyone who gets in their way.

And there I go again on one of my rants.

Damn it. I am determined to stay cheerful. All I need in order to do so is simply a modicum of this and a modicum of that. Ha, ha!

Did you know I played Falstaff on stage back in 1935. Yes! Shakespeare. Henry V? Oh yes. Oh yes. I have other strings to my bow. I have been a magnificent pantomime dame. I’ve done comic opera, I’ve done films. Don Quixote. I was Sancho Panza in both the 1923 and 1933 film versions. I also had a very brief career with Chelsea Football Club. Did you know that? As a young man I played and scored a goal for them in a friendly and was awarded an amateur contract! Oh yes. That was a laugh.

I’ve made gramophone records, you know? There was “It Wouldn’t Surprise Me A Bit” and “Tempt Me Not” and, most famous of all, “If You Were The Only Girl In The World” which I did as a duet with Violet Loraine, and there were others too, but I forget them now.

Oh well, dear reader, I’m afraid dear Blanche is wanting to go into town shortly to do some shopping, so I shall have to stop this now. I will pop in with her on the bus and possibly go and have a drink or two in the George. After all, one cannot get through this life without a modicum or this and a modicum of that. One must try to stay cheerful, musn’t one? And who knows? Perhaps a young lady will accidentally drop her glove and I shall have to pick it up for her. Oh, desist, dear reader! Desist!

Like I say, the grown-ups know me as the Prime Minister of Mirth. The children just call me the funnyman. They’ve got it about right, I reckon. They’ve got it about right.