The riverside at Castlefields

The riverside at Castlefields

Friday, 29 October 2010

Ramblings From A Riverside Bench


As I fumble around in my jacket pocket for a mint or perhaps a hard-boiled rhubarb and custard, I notice that swans are gathering on the mirror-like water beneath the Castle Bridge. It is a bridge I have known all my life. This is a river I have known all my life. I am sitting on a bench I have known all my life.
This entire scene before me – the long grass on the opposite bank, the curve of the riverside walk to my left which takes you down to the cascading waters of the weir, and to my right the mighty railway station bridge – is so deep within my psyche that it is sometimes impossible for me to separate memories from dreams. Did my ten-year-old self really sit here on this bench with my best friend in 1967, the two of us planning what we would do with our lives if we were given super-powers? Or did I just dream that? Certainly, on summer afternoons, just before teatime, my little brother and I would often wait here for Dad who would be cycling home from work on his museum-piece of a bike. Now that one is definitely a memory and not a dream.
The sun is low now and partially obscured by cloud. There is a chill in the air. I allow myself to drift into a pleasing fog of abstracted fancy, and for a moment I can almost see our old Dad pedalling his trusty steed towards me.
Just over there is the rather magnificent Severn Bridge Junction signal box, built in 1904 and – I’ll have you know – the largest of its kind in Europe: a cathedral among signal boxes. And just there you can also see the Abbey Church, which is possibly even more magnificent than the signal box, and indisputably somewhat older, clocking in at 1083. That’s what I love about Shrewsbury: layer upon layer upon layer of history.
The streets of my childhood are just a stone’s throw from here: North Street, Queen Street, Burton Street, West Street, Donkey Alley. Our family moved to this oh-so-ordinary and yet oh-so-enchanting Victorian suburb in 1963 and left it in 1979. I was six years of age when we came here, twenty-two when we left. My formative years. From the birth of Beatlemania through the glory days of Slade and T. Rex and Rod Stewart and David Bowie to the death throes of punk.
We lived in a magical beaten-up old house in the shadow of the lovely All Saints Church. All these years later I cycle or walk or drive back down here frequently, seduced by what many these days would refer to as nostalgia, but what I prefer to think of as communing with the past.
A jogger now passes by, his iPod plenty loud enough for me to pick out the monotone of an insistent rebellious rap. I smile to myself, momentarily considering my own kaleidoscopic tastes in pop music. Rap, I’m afraid, I shall never warm to. Nevertheless, I am proud to say I enjoy just about everything else from The Searchers to Coldplay. But wide though my musical interests are, and as vast as my CD collection is, I suppose some might say that the writing was on the wall for me as far back as 1978. Even at that point in my life I was beginning to live in the past. Because although I knew full well back then that in order to be cool I should really have been loving Paul Weller snarling his way through hits like The Modern World, I in truth yearned for the much more melodic tunes of the sixties and early, pre-punk seventies. In my heart of hearts, I suppose I will always prefer The Marmalade to The Jam.
Oh dear. A weak joke. Our dad would have approved . . .
I look downstream now, towards the weir. The jogger and his iPod disappear into the distance.
Ah. Our dear old parents, God bless ’em, would have been totally baffled by the world today. What would they have made of iPods? Come to that, forget your digital downloads and your memory sticks – Mum and Dad would have been confused by shower gel and clip-on sunglasses.
Dad was decidedly working class, dirt forever under his fingernails. Mum: lower middle class, curlers and cardigans. He was fun-loving, gregarious, all beer and dominoes. She was shy, sensitive, easily embarrassed.
Dad had his silly sayings:

“It’s a great life if you don’t weaken.”

and

“I can’t help it if I’m good-looking.”

Mum, sitting by the open fire on a winter’s afternoon, had her simple wisdom:

“If you can’t say something nice about someone, don’t say anything at all.”

We boys played endlessly with our Matchbox cars and plastic soldiers. We were happy to stay indoors for much of the time, which was just as well as trips out were few and far between. Although, for the vast majority of our childhood, our family could not afford a car, we did however have an old banger for a few months. It was so untrustworthy, though, that it wasn’t used a great deal. For the most part, it seemed to me, our pride and joy – an ancient Hillman Minx – stood rusting round the corner in West Street; worthless, built like a tank, looking sad as if it knew it had a date with the scrap merchant.
Meanwhile, we boys played on. With crayons and scissors, staples and Sellotape, we would create our own comics featuring the adventures of our own superheroes and cartoon cats. Our interests in writing, story-telling and publishing – not to mention a strange and enduring fondness for stationery – thus found an early outlet.
Oh dear. The pre-pubescent me: every bit as shy as my mother, uncertain, slow to learn, under-achieving, scared of his own shadow, head in the clouds, almost always preferring the sanctuary of home to the often not-so-great-outdoors. In here: telly, biscuits, Mum. Out there: a host of tiny dangers. Beyond that old dependable front door lay the domain of bullies: big boys with fists and attitude. Adults could be just as bad. It was a world inhabited by sneering teachers, suspicious shop-keepers and unfriendly bus drivers.
Oh watch out. The jogger is back. He must have been as far as the weir and is now on the return journey.
“Hey mate,” I pretend to say. “Got any Marmalade on that iPod?”
The swans have moved on now. It’s getting cold. Time to go home. But I’ll be back again soon.
This is how I nourish my quiet, unobtrusive love for our long-gone Mum and Dad.

St Alkmund's, St Mary's and the Railway Station


A letter to the Shrewsbury Chronicle.

October 2010.

Re: Restoration projects.

The thoughtful and insightful letter from the Rev Richard Hayes of St Alkmund's (Chronicle, September 30), reminds us that there is a difference between good restoration and bad restoration.
An example of good restoration is that which the people of St Alkmund's have achieved over the past nine years. An example of bad restoration was the scheme from 1910 (outlined in the Rev Hayes' letter) to effectively rip out and replace four beautiful windows dating from 1795; a scheme which thankfully never came to fruition.
But this story reminded me of other acts (and proposals) relating to St Alkmund's, to St Mary's, and (more recently) to our splendid railway station.
As is told in St Alkmund's own leaflet ('A Brief History'), the medieval church of St Alkmund's was a fine one but when Old St Chad's Church collapsed in 1788 there was "a general alarm about the safety of both St Mary's and St Alkmund's".
On the strength of questionable advice, the demolition of St Alkmund's was decided upon and an Act of Parliament was passed dated April 17, 1794, to authorise the taking down and rebuilding of all but the tower and spire.
As if to emphasise just how crazy this move was, the strength of the undecayed walls was such that explosives had to used to destroy them. As the leaflet says: “The authorities realised their folly too late”.
As if that were not enough, the next sentence in the leaflet really blew my socks off: “St Mary's was saved from a similar fate by one vote”.
Well, thank goodness for that one vote!
With thinking like this all down through the centuries it is a miracle that so many wonderful historic buildings have survived at all!
Leaping forward in time the best part of a couple of hundred years, our beautiful railway station was under threat, I believe, in the early 1960s. I am sure I remember reading this somewhere (and perhaps fellow Chronicle readers can help me out here). In an era when many lovely Victorian railway stations up and down the country were swept away in favour of the shoebox designs so fashionable at the time, even our gorgeous station was considered (briefly) as ripe for the bulldozers. Just who are these people who can envisage such appalling vandalism?
Phil Gillam,
Shrewsbury.

Sunday, 19 September 2010

Cassette Tapes - Why Do I Still Have So Many?

A bit of a rant from earlier this year . . .

Okay. It’s official – I am a hoarder.

I decided this morning to have a bit of a sort out of the tape cassettes that are kept in a sideboard behind the settee. I seemed to recall that I had one or two. I got them all out to have a look at:
I have 182 tape cassettes
(that’s in addition to my 800 CDs and 300 vinyl albums).
And you know what?
I don’t feel I want to let go of any of them.
If we look specifically at the cassettes (which, I know, I never play any more, what with CDs and my iPod being the currency of the day) . . . we find many of these have strong sentimental value (and some are simply priceless, as opposed to valueless).
There is, for example, a whole bunch of compilation cassettes made for me by Tone for various birthdays, with titles like:
None Taken I’m Sure
Tinted Foundation Eye Shadow
Devastating To Colours
I Was Surprised That Phil Hadn’t Rung
and
(most poignant of all)
Time Isn’t On Our Side: I’m Getting Horribly Ancient.

Then there are gems which ought to be in the British Museum, like
Two Evenings by Solid Water
Sgt Kipper’s Loony Parts’ Club Land
Treasure Island
and
Administrative Gardening.

Sorry Tone. I think I borrowed these off you in eighteen-fast-asleep and forgot completely to return them. (Along with your book on the Quakers). And, yes, I know, the two editions of Slightly Foxed.
Anyway, I just hope my brother is taking care of those copies of Target magazine as well as I am taking care of these tapes!
Meanwhile, if any of you out there have any ideas which will help me reduce the size of my cassette collection or (alternatively) suggestions as to how I can store them somewhere else other than behind the settee . . . please get in touch. Or if you have a philosophical outlook or any advice at all, email me back. I would be delighted to hear from you.

The Mystery of the Bowling Green Pub

A letter to the Shrewsbury Chronicle.
August 2010.
Re: The Bowling Green Pub at Meole Village.

People always used to believe that The Wrekin was an extinct volcano. I'm quite sure that for years even geography teachers used to pass on this misinformation to their pupils. Funny how these myths can solidify into 'facts'.
By the same token, an article in your Home and Property supplement about an absolutely gorgeous (wish I could afford it) townhouse on Hereford Road, may have contained a tiny myth.
It suggested Brook House was at one time a public house by the name of The Bowling Green Inn. This sounded a bit unlikely. I looked up The Bowling Green in Derek Row's painstakingly researched book, Shrewsbury: A Heritage of Old Inns and Taverns.
Mr Row gives the address of the pub as Hereford Road, Meole Brace, but other information recorded here suggests that the townhouse currently for sale and the Bowling Green Inn are not one and the same place. Firstly, Mr Row's book has it that the pub was rebuilt about 1850 (much too late to be the elegant Georgian building now on the market). The book also says the pub was between Meole Road and the Rea Brook in Meole Village. Well, Brook House may well be near the Rea Brook but it certainly isn't in Meole Village. Mr Row goes on to say that the inn stood on the site where the Leagrove House is now (which must mean that the building that was the inn no longer exists).
Can anyone out there shed any light on this?

Tuesday, 31 August 2010

Shrewsbury Folk Festival and Chuck Brodsky


Alex and I had a really super time at the Shrewsbury Folk Festival on Sunday, taking part in a harmony workshop (no, honestly, we did), listening to the odd sea shanty, watching in speechless astonishment as the Morris Men danced by (quite surreal), and catching up with Splendid Nephew Tim, the lovely Fiona, the lovely Fiona's mum and the lovely Jan.
And although the mighty Billy Bragg sparkled brightly at the big marquee's evening gig, the artist both myself and Alex were truly knocked out by was American singer-songwriter Chuck Brodsky (who took to the stage during the afternoon and therefore of course played to a much smaller audience than headliner Mr Bragg would enjoy as the big crowds gathered several hours later).
Chuck's songs range from the heartbreakingly sad to the downright hilarious. And the man himself is totally engaging with his warm, gentle sense of humour, and his big, big heart.
No doubt about it. . . On Sunday, Chuck made himself an army of new fans.

Sunday, 22 August 2010

Holiday Ghosts

It is when I'm on holiday at the seaside that I feel closest to the spirits of my long-gone parents.
Not memories exactly, but often it's just the uncatchable essences of memories which fly by.
And if I try, even for a second, to focus on these, I can feel tears welling up.
I catch a glimpse of Dad smiling, relaxed, taking us to the park for a game of putting or crazy golf. We've lost a cheap rubber toy snake somewhere along the path and he helps us search through the grass verges.
Or there he is again with his pipe o'bacca in the sunshine. He seems happy. Not like the man he became in his final years, so greatly diminished by old age, ill health and institutionalisation. Bored and lost.
No, he's happy in the sunshine. He's helping us retrieve a football from under a caravan. Mum is cooking sausages on the Calor gas cooker. Also happy. Also relaxed. Nice change of scenery.
Like Christmases, family holidays are loaded with emotion.
For a deeply touching evocation of that bitter-sweet aspect which must inevitably imbue every family holiday, look no further than the gorgeously understated 1931 novel by RC Sherriff, A Fortnight In September, available again thanks to the wonderful Persephone Books.

Writing, Nick Hornby, Self-Publishing


WRITING

Funny. But as the years roll by, I'm attracted more and more to those authors who started late in life. This may have something to do with the fact that I am now 53 – and still showing no signs of delivering The Great British Novel anytime soon.
But there are plenty of writers who were a bit slow off the blocks. And I take comfort from this.
There's the highly-acclaimed Annie Proulx. According to one of her admirers writing in the Guardian recently, Proulx is "A private, unassuming and generous woman who swept in at the age of 56, a fully-formed and great American writer". Which means that I still have time – as a private, unassuming and generous man – to sweep in as a fully-formed great British writer. What? Am I right or am I right?
The Nobel laureate Jose Saramago, a giant of Portuguese literature featured just now on Radio 4's Open Book programme, didn't publish a book until he was 60.
Then there's Howard Jacobson who was teaching English in a Midlands polytechnic for years before finally getting around to his ambition to become a writer. His latest offering, The Finkler Question, is on the Booker Prize longlist.
I haven't actually read any of these people, but I intend to. Oh dear. Is that enough? Intending to? Or is the road to hell really paved with good intentions?
Part of my problem, I feel, is that I've always lacked drive, I've always lacked focus. (Perhaps I should try driving a Ford Focus.)
Then again, attempting to write a book of any kind when you have a family and a full-time job is a serious undertaking.

NICK HORNBY

Ever since reading High Fidelity in 1995, I've compared myself a little bit (no, don't laugh) to Nick Hornby. Yes, yes, yes, I realise he is an internationally successful novelist whose books have been made into internationally successful films whereas I'm . . . oh, never mind. But, you see, we are contemporaries, old Nick and I, both born in 1957. Not only that but he writes the kind of books that, given half a chance, I might have written myself. Of course it might just be that Nick is incredibly talented and I'm not, but, you know . . . it doesn't hurt to dream.

SELF-PUBLISHING

Much has been said and written about self-publishing. As someone who has gone down this particular road, I just wanted to say a few things myself:

Self-publishing appeals to three kinds of people:
1. DELUDED PEOPLE whose inflated egos easily eclipse their common sense. These folk are on a collision course with reality if they go ahead and self-publish in the belief that this will lead to fame and fortune (or even serious recognition). Clearly, it won't. Nor will it lead to a real publishing house wishing to snap you up. Such deluded people will almost certainly end up painfully disappointed with the outcome.
2. DRIVEN PEOPLE who feel passionately they really do have something worth saying and want to get it out there any way they can. These people could well find themselves reasonably pleased with the self-publishing option because they'll be able to distribute a limited number of books to those readers they want to reach. Excellent. Job done.
3. SENSIBLE PEOPLE who understand completely that their project will of course have only a limited readership (like, for instance, mechanics living in Macclesfield) or a very specific readership (their own immediate family), and therefore self-publishing is the perfect answer. These writers should end up entirely satisfied with the outcome.

To sum up, self-publishing is by no means a bad thing. Indeed, it can be a very good thing. But please understand what you are getting in to. Do not expect the moon and the stars.

I myself self-published a novel, Here Comes The Sun.
Now, whether I was deluded, driven or sensible is for others to judge.

Meanwhile, I leave you with this final thought.
If a man wins a raffle at the village fete and his prize is to play football (during training) with Manchester United, he could – many years later – tell his grandchildren that he once played football with Manchester United. This would not be a lie. But it wouldn't quite be the truth either.
Similarly, I could claim to be a published novelist. It wouldn't be a lie, but it wouldn't quite be the truth either.